/jp/ - Japan/Anime★

>>43043 (OP)
I've been using the same HP Pavilion dv7 laptop running on windows 7 ever since 2010, while for work related purposes, I use a dv7-7000, still of the same series, just the last iteration, but on windows 8 vanilla.
I think I'll probably go my entire life without using a PC proper, and I'll never use an operating system besides windows 7 & 8. I'll forever keep repairing this 15 year old laptop every time it breaks down too.

Also, Z-kun is obsessed with smartphones because it gives him all the social mobile games he wants, and he's not much of an enthusiast for anything, so when he's reading some manga or novel, he's not gonna do it for several hours. The easy pleasure floods his brain, he's happy, and he goes to sleep. He can watch uncensored porn easily, and he's more interested in 3D. Otaku are all dead. Why should he care to learn to use a computer?

The old men, however, are using the PC's properly, they're keeping the country alive, they're free of feminists and global brainwashing, and they actually financially support their interests. They create everything from literature, to manga, to novels, to music, to games, to art. They separate the market properly, and don't compromise when they say they're writing a story for men, and keep their audience in mind without caring for all the shitty screeching about 'no, it's too lewd!' and nonsense like that from people on the outside. Righteous believers of 2D. Seriously, they're doing everything.

You know, friend, Japan will cease to exist after they're gone. Z-kun has no talent. Z-kun is useless. Foreigners are coming in. It's a finished place.
Let them use their smartphones because it's all the fun they have before Japan truly dies.

The ice age generation, and the generation a step below, will be remembered as the kings who gave to all otaku globally a gift they can infinitely cherish.

>I like Japan because this country don't like changes and they used to prefer classic flip phones
But that's not true. You only see flip phone usage in anime that itself is based of manga set before or early in to smartphone adoption, or you're looking at pictures of children who are given rudimentary cheap fliphones until they enter middle school
>I use Arch BTW
That correlates well with your porn addiction.

>>43044
Most disregardable blackpill post of the week so far. Good use of the Zoomer boogeyman as a vehicle for your misanthropy

>>43045
There's no blackpill. I'm a bleeding heart, a lover of my interests, just as you and anyone else. Why the misanthropy? I love Japan too.
What differentiates us is the fact that I've lived there, indeed live here presently, Fukuoka prefecture, and have been in and off the country at large for over 7 years now, giving me an understanding of the approaching event horizon.

The sustainment of its culture and its foundation rests on an establishment too thoroughly intertwined with the support of its aging male population; those old men whose youth has been exhausted, whose predilections are, by and large, globally looked upon with reproach, whose communal support of and with one another is dependent on a network accessible only to them, and whose time has past. Once they're cut, it's game over.

You think Nagaru Tanigawa's gonna finish Haruhi? or Nasu will be ready to create something else for Type Moon? or 47 year old ZUN the likes of which speaks about Touhou's end. Really? These men with families entering their 50s or 60s have had enough, and their protégé are soon following, retiring to a halcyon life as their country spins a new tale. Who even buys anything except for those old men, of clear heart, wanting for more so they refrain from pirating.

Z-kun doesn't care for that, in all parts of the world.

Just as Takao Saito died, Akira Toriyama died, Kentaro Miura died, the remaining old guard will collapse, and thereafter nothing similar shall beget, for today's stage is a globalist type, and none no longer possess the steely mind necessary to resist its flare as they chase for money unavailable in their shamble of an economy.

Passion is dead, Z-kun exhibiting it still lesser somehow.

That's why high school settings are being banned. That's why 'underage' depictions are being annihilated. That's why anything libertine is being equated to things licentious and grossly perverted. That's why gore is rampant, because it's better to show a man being shot sixty times than seeing a flash of panties.

I always feel a stab of guilt when I read a JP comment and they complaining that creators they've always been following have begun lessening the intensity of their content to appear agreeable in western -in your- eyes, and express a powerless dismay against this. Just a mellow feeling
"It can't be helped."

That's the motto of today, no matter what you think, and what will increasingly be adopted, until Japanese entertainment is altogether at last incinerated as the whole country becomes the vassal of an Indian empire.

And that's fine, because it's not a problem for you or interested fans or anyone, because it'll create a new brave world of entertainment. You've got a digital archive of media lasting 20 and more years. The plague to come will only palpably affect the unfortunate Japanese child born in today's world of dismay where if anyway he escapes and escapes it, he'll find himself in the end, at home, glued to a smartphone scrolling over asinine comments bashing him.

Z-kun loves social media, and social media loves him too, thus they'll penetrate his brain with the blade of ideology and ensure his creative endeavors in the future will be marketing safe.

I support his using the internet more frequently, and English should be enforced all the more so in Japan. I likewise support foreigners coming in too, from all wake of the world, whether Africa, America, China or Europe. The sooner this all accelerates, the better.

The minute credit processors started kicking up a fuss, it was done.
Feminists might've been poisoning things slowly, the depressed Z-kun in his apathy might've rendered obsolete his desire to do anything, foreigners might've been molesting everyone, but worse than all are depriving the existing few financially from being able to do what they want.

so japan is over and the fatest it dies the better, am I right?

>>43056
Partially.
Japan is over, yes, but not altogether so, and accordingly, to put that struggling remain out of its strangled misery, it is only best to deliver a swifter and faster death, lest it survives and transforms into a resisting bastardized amorphus blob, a shell of its former self, a willing carrier of disease, a thing which anyway will surely rapidly die… but not before taking the salvageable with it following a repulsive reign it will construct where flagellating all its prior merit will be commonplace. Yes, a faster death is better. Letting it live in a direction which normalizes shit is no good.

Accelerationism is an interesting policy.

Owing to natural phenomena, once everything resets and returns to nothing, the ensuing reconstruction will again recreate divisions of 'Good' and 'Bad' with the former of greater strength than the latter, more plentiful, allowing for a period of repose, until again the refuse is large enough that circumstances call for another reset.

All cabals in the world, all conspiracies, all machinations, all malevolency and good, creation entirely, from plant to insect to dog to man, good, bad, operates with that policy in mind, pushing for their own respective time of victory, and Japan's period must once more arrive, 62,530 days after Perry forced them to open up.

In the other thread, I'm sure you're the Penguindrum poster, yes? the show is good. Nothing like it 14 years later. It was especially interesting before Kanba's fallout.
The central theme in the whole thing is a merciless unveiling of the inability to truly overcome fate. Everyone was playing to the seductive tune of Sanetoshi Watase, even he himself. Bittersweet was not the ending, it was horrifying. Unlike Madoka, even if Kyubey always wins, the succubi can at least evade misfortune, but not so here. Actually, I wonder how that'll go in the next movie. Maybe it'll be worse for them, and Homura's rouse will collapse inward into itself, and as she despairs and weeps with no way to fix, Kyubey will be off with that Cheshire grin of his, a fresh pile of misery behind him.

But Urobuchi's a pretty happy guy these days, and after 2014, I think some ban was placed on animated media suggesting depressing themes. The stuff that's bleak is consigned to literary mediums now.

Kunihiko Ikuhara is 60 years old, Penguindrum's creator, and has retired from the scene. Another one talent never to be seen again, sadly.

Anyway, Japan's dead… but that's okay. Just gotta keep the corpse from getting defiled.

>>43057
>I'm sure you're the Penguindrum poster, yes?
yes I am. you're pretty clever. apparently the movie don't add so much to the story. thats what I read on internet