/hob/ - Hobbies

>>67328
I can't remember if Rastapopoulos shows up in Herge's unfinished 'Alpha Art' but Tintin's arguable arch-nemesis straight up getting abducted by aliens and never being seen again is kind of hilarious.

I got anxious about reading the last completed Tintin adventure so I read it soon after Flight 714 to Sydney. Tintin and the Picaros is such an odd book. While the world Tintin lives in breaks and falls apart in Flight 714 to Sydney due to the introduction of several out of place elements in the story and the ruination of key villains, in Tintin and the Picaros it's the heroes themselves that start to break apart. The whole thing starts when General Tapioca kidnaps the Thompsons and Bianca Castafiore. If this was in any other book, Tintin would immediately come up with a plan to infiltrate Tapioca's hideout and find a way to free his friends. Even Haddock wouldn't sit idly, even if the victim is Castafiore. In here though Haddock celebrates (!) that Castafiore has been kidnapped by a dictator and Tintin flat out REFUSES to go help them. They just lounge around the mansion reading the news and laughing about it. It's like these are completely different characters at this point.

Eventually Haddock decides to go there for selfish reasons and Tintin yet again refuses to go, allowing Haddock and Prof. Calculus to go alone behind enemy lines. And then he just shows up out of nowhere because his name is on the book's title. That's the only reason I can think of at this point. It is quite astonishing how the characters feel odd in this book. The only one that resembles his former self is Calculus and Castafiore. When some critics say the last book should've been Castafiore's Emerald this is what they mean. Whatever change of heart Herge had about these characters, it was to their detriment.

Herge began working on this book nearly 10 years after completing Flight 714 to Sydney and something must have happened during that time because everything feels quite different and off, sometimes a little, sometimes a lot. It's also the only book Herge managed to finish in the last 15 years of his life. I guess he was just completely done with comic books at this point, though I hear his unfinished project, Tintin and Alph-Art is much better, I guess we'll see. Maybe in that story he managed to be interested in the project because it dealt with the art world. At that point in his life Herge was trying to establish himself as an abstract artist, which he mostly fails from what I read.

All in all Tintin and the Picaros is a very odd book, rather sad, uncanny in many ways and not the best good bye for such beloved characters. I'll read the script for Tintin and Alph-Art next, so I can catch a glimpse of what Tintin's last adventure would've been. As it stands, Tintin and the Picaros is usually considered the last Tintin book.

>>67330
It's like Herge didn't care at all at that point and just brings some god inside the machine to solve everything in a page or two.

And here's the very last Tintin adventure. Tintin and Alph-Art, the book Herge worked at for 3 years and left it unfinished by the time of his death in 1983. We have half a script and about 150 pages of sketches, ranging from decent pencil drawings to quick lines jotted down in pen you can't tell what's going on. Judging by what we have, this is a return to form for Tintin. He's back to be an active investigator, trying to bring bad guys to justice. The story is about the murder of an art curator and the art forger behind it. Judging by the script it's a very standard Tintin adventure, and its atmosphere, pacing and plot is much closer to the early books like Cigars of the Pharaoh and King Ottokar's Sceptre than the later oddballs Flight 714 and Picaros.

I guess one sees what one wants to see in it. Some critics say it would have been a triumphant return for Tintin after two lackluster books, others say it would have been a run of the mill, derivative adventure. I think it would have been a very interesting book and it's an artistic tragedy Herge's wife forbade Bob de Moor to finish it. Mr. de Moor was the most talented artist in Tintin Studios, and he was known to be able to draw in Herge style better than Herge himself. The publisher wanted him to finish it, the public certainly wanted him to finish it and for a little while Herge's wife actually requested him to finish it. de Moor himself was very keen into finishing this book for Herge as an homage. Alas, the wife eventually shut down the entire project because Herge mentioned he didn't want Tintin to continue after his death.

The thing is, this didn't stop artists to make their own homebrew versions of Alph-Art. The tragedy here is that Bob de Moor, having worked with Herge for decades and being a co-creator of so many Tintin books, was definitely the right man for the job, probably the only one after Herge's death and now it's too late. Mr. de Moor passed in 1992. We're left with half a script and sketches of what could've been.

And that's it, Alph-Art is the last one. I loved going through those comics and I appreciate Tintin not only as a huge part of my childhood but also as a part of my adulthood now. The past 3 weeks have been immense fun thanks to Tintin and his friends. We're not done yet. I'll be making some posts about my favorite panels from each book and some commentary I forgot to write down the first time.

>>67334
Any plans to go through Herge's other work like Quick & Flupke?

I’ll make 8 posts in a row talking a little bit about my favorite panel for each story. The reason I don't do this in a single post is because I can only post 3 pictures per post and I don’t want to just link some imgur folder, I want to upload every image individually. The reasons behind my selection vary. Sometimes I really like the panel for its artistic value, other times I have an emotional attachment to it, either for the art or the moment the picture represents in the story. In many stories there are objectively better panels as far as art goes but they’re not always my favorites.

1 - Tintin in the land of Soviets
Both the artwork and the plot for the first book are primitive but we can detect glimpses of what’s to come. This panel of Tintin running away from a train encapsulates a lot of what Tintin is. Lots of vehicles, crazy chases and daring escapes. The panel also makes it look like Tintin is running inside a tunnel, and subterranean passages, caves and generally underground places are very common locations in all Tintin stories. I’m sure people who like psychoanalysis would have a field day with that one.

2 - Tintin in the Congo
Herge didn’t quite like the first two books. He got some flak for the way he depicts the Congolese but like I said before, they’re not shown in a bad light at all. Drawing them in a blackface style didn’t help. I always thought blackface actually looks cool for a character. It has a simplicity to it that makes it visually appealing and even endearing in a way. For example, in this picture the Congolese look all cooler than Tintin imo. Again you can see vehicles appear quite often in all Tintin stories.

3 - Tintin in America
Herge was fascinated by native americans and always wanted to see one irl as a kid. This panel shows the artist realizing his childhood fantasy through his fictional work. Tintin meets a real Red Indian! I think it’s funny the Indian here is not at all happy to see Tintin and probably considers him a disturbance, which let’s be honest, he usually is.

>>67337
Probably not, there are other comic book artists I want to explore. I think I gave Herge a fair shake. I'll talk about it here when I decide what'll read next.

4 - Cigars of the Pharaoh
One of my favorite books. It’s hard to pick a favorite panel. I love the vastness this book offers through its desert illustrations and I also think it has the best coloring work in all of the books. In this scene Tintin finds water after wandering around the desert for days. I always like to imagine the peaceful oasis like a jewel in the vast desert and the relief of a weary traveler when first seeing the trees in the distance.

5 - Blue Lotus
This book is too opinionated and ‘adult’ for me to really love it. I don’t need the awfulness of the world to sweep through in beautiful illustrations. That said, I still quite like this one. I tend to grow fond of the quieter panels, like this one. I can hear the rain gently hitting the roof tiles.

6 - The Broken Ear
The only fault of The Broken Ear for me is the lack of jungle. There’s just not enough of it imo. Cigars of the Pharaoh did it right, having a lot of desert in it. This book should’ve tried to follow suit and have a lot of jungle in there. Here’s one of the very few scenes Tintin has to deal with his environment in this adventure.

7 - The Black Island
The most beautiful book of the bunch, as far as the illustrations go. Hard to pick a favorite panel, there are so many. The depiction of the English countryside and the Scottish highlands is plentiful and perfect. The rocks, the trees, the buildings, everything looks great here. The colors are quiet and invite a mental quietness I can’t quite explain. I guess you would have to read it for yourself.

8 - King Ottokar's Sceptre
Where Black Island is quiet and charming, King Ottokar's Sceptre is loud and pugnacious. In this story Tintin spends a lot of time in and around palaces, royalty and royal, regal things and those things are made to impress and exaggerate. The clothing, the buildings, everything has a visual excess to it. This panel captures it well. An excessively slippery marble. Poor Thomson and Thompson don't stand a chance against it.

9 - The Crab with the Golden Claws.
One of my favorites. Haddock’s debut book and a definite turning point for the series as a whole. An easy choice for this one, here we have Haddock, Tintin and Snowy wandering the desert, quite lost. The beautiful, deadly desert, the scorching sun. The yellow hues of the sand contrasting against the clear, blue sky. Snowy not giving a shit. Perfect.

10 - The Shooting Star
Plenty of better panels in this book to choose from but this one panel right here is brutal and weird. Tintin visits a scientist after sighting a strange light in the sky. The scientist tells him it’s a huge meteor that is going to collide with Earth in a matter of hours. There are already signs of the collision already, and the scientist presents his calculations to Tintin. Tintin is absolutely convinced he’ll die and the world is coming to an end.. So he goes back to his apartment and this scene happens. He decides to go to sleep. It’s such an ominous moment and it’s the only time Tintin simply gives up in the entire series. Sure, there’s nothing he could do, but it’s still a depressing moment. Snowy looks dead at his feet. A bizarre, striking panel for me.

11 - The Secret of the Unicorn.
Slice of life is a genre that wasn’t in the scope of the comic book format when Tintin was being produced. I would very much like to have more quiet moments for Tintin and the other characters to exist in, maybe a page for every book of mundane, peaceful moments. They happen in many books but it’s almost an accident. In this panel we have Tintin and the Thompsons shopping for canes in an antiquity fair. What a nice moment to seize here with this panel. A few panels later Tintin will find a ship model in the same fair, triggering one of the best adventures of the entire series.

12 - Red Rackham's Treasure
This is one of the two favorite panels by Herge in the entire series. I agree with him. The disposition of the characters is very nice and it looks like it could be a painting if it were drawn in a different style. Again, this is a book that has plenty of very cool panels; you have hidden rooms, a mansion, treasure, open sea, ships, but capturing the moment Haddock steps in the island of Rackham’s treasure for the first time while Tintin and the Thompsons pull the boat ashore makes for foreboding moment. Alas! We have a coloring mistake. The bottom part of Haddock’s shirt is painted wrong. It doesn’t detract from the picture imo.

13 - The Seven Crystal Balls
This might not look like much but this is the most terrifying panel ever drawn for a Tintin book. You would have to read all the way up to this point to appreciate it. 13 books in and we never had a paranormal moment, no real ghosts, monsters or anything of the sort. Then this happens. At first you’re not sure if it’s a dream or reality. This emaciated figure emerging from an open window, its bright, golden necklace, the realistic way it needs to move in order to get inside the room, makes it for my favorite panel in one of my favorite books.

14 - Prisoners of the Sun
Haddock’s irascible temper against the powers of nature. In this case, a llama. Haddock VS llamas has to be the funniest comedy routine for the character in all the books and that's why I picked this panel. Haddock hits the animal after he got too close and the llama took the opportunity to chew on his beard. What comes next is the llama spitting in Haddock’s face, both humiliating him and showing the beast has a temper to match. This is just one instance of several bouts between Haddock and llamas that happens during this book.

15 - Land of Black Gold
I didn’t care much for the plot of this book but it’s beautifully drawn. We’re back in the desert for this one and here we have the Thompsons ready to dive in a mirage. The fact they would keep their bowler hats for a swim for some reason amuses me more than it should. Their bathing suits are ridiculous and the fact they have their hands put together like children ready to get inside the pool makes for one endearing panel. Fun fact: you can recognize them by the shape of the mustaches. Thomson is the one pointed mustache. Thompson is the one with the mustache going straight down. I prefer their original names Dunpont and Dunpond.

16 - Destination Moon
The moon adventure has the best cliffhanger moment in the series imo and it all comes down to this panel. You can see the rocket managed to reach space, but we don’t know if the crew lived to tell the tale. We're just they’re desperately trying to contact Tintin on the radio but there’s no response. I don’t feel Tintin and his world is the most appropriate territory for a sci-fi story but Destination Moon and the next book certainly made it work.

17 - Explorers of the Moon
So many shenanigans happen in this book the only reason they managed to survive at all is due to plot armor. There are plenty of more awe inspiring panels in this book, lots of lunar scenery and the insides of a highly advanced rocket and moon vehicle. However I picked this one rather shabby panel because of how hilarious it is to me. Wolff, one of the astronauts, is a double agent and almost gets everybody killed by bringing a villain aboard the rocket. As a result, they’re quickly running out of air and may not make it back to earth alive. Haddock doesn’t spare Wolff, deriding him at every opportunity for his incompetence and villainous conduct. But then Wolff makes the ultimate sacrifice, killing himself in order to save oxygen for the others. This act of bravery has a deep impact on Haddock, who now considers Wolff a hero. Thompson, unaware of Haddock’s change of heart and Wolff sacrifice, casually asks Haddock about “that thug Wolff”, as he puts it, and Haddock explodes in rage, giving the speech you see in this panel.

18 - The Calculus Affair
I didn’t care much for this particular adventure. I can’t shake the fact Calculus is in the title and he barely shows up. Also the plot feels like a bricolage of earlier adventures. So I picked this panel for its artistic quality. This one here is a fine example of ligne claire, the style Herge and other Belgian artists developed during the 30s, 40s and 50s. It’s one of the best panels depicting an urban scene in that style. The fact it’s raining adds to my enjoyment of the scene.

19 - The Red Sea Sharks
There are a lot of cool scenes in this adventure and lots of cool panels to choose from but this one is by far my favorite, easy pick. This beautiful illustration is based on the Al-Khazneh in Jordan. I’m averse to traveling but I would like to see this piece of architecture irl someday. Having cast enormous shades on the rock face to the sides and letting the sun shine bright at the center, giving Al-Khazneh an almost divine presence is a very cool idea. I like to think this could be the ruins of a cave entrance from the mythological days of the garden of Eden. Too bad the scan I have for this book is of bad quality and it slightly cuts the panel.

20 - Tintin in Tibet
Best book imo and here’s my favorite interaction Tintin has in Tibet. These monks save Tintin and Haddock after finding them almost dead in the mountains. The monks advise they should give up their search for the missing boy, who is certainly dead after all this time, and return to Belgium and to safety. Tintin refuses to accept that and pushes on with the search. Haddock agrees searching for Chang in the mountains is insane and deadly, but bound by friendship, goes along anyways, ready to die with his friend instead of leaving Tintin to his fate. Of course, Chang is alive and despite all perils and hardships, Tintin and Haddock manage to find him. The monks, utterly impressed by their kindness of heart and willingness to die for a friend, come to greet them in full Buddhist gear, to celebrate their efforts. A heartwarming moment to give close to a pretty much perfect adventure.

21 - Castafiore’s Emerald
The book that should’ve been the last. What nice farewell this book would’ve been for these characters. A small, quiet adventure happening all inside Marlinspike Hall. We have a nice mystery, good comedic moments and Prof. Calculus dressed in lovely gardening attire. This panel captures the leisure and peace this book expresses in its pages. A sunny, fresh morning, a walk around the garden, tending roses, Calculus in a yellow hat. Can’t ask for more than that for a series finale.

22 - Flight 714 to Sydney
The book with the broken plot. Irregular, constantly changing pace, abandoning ideas, abandoning characters, loses focus all the time. The art is good and it’s surprisingly enjoyable despite its shortcomings. However the best I can say for it is that I prefer it to exist than to not exist. One of the worst books in my opinion. I picked this panel because Calculus walking around with his pendulum is such an iconic image for the series and here we have a clear instance of that. He’s practicing dowsing, a pseudoscience practice that kinda works in Tintin’s universe, it almost works sometimes, but not quite.

23 - Tintin and the Picaros
The book with the broken characters. Are these impostors? What have they done with the real Haddock and Tintin? That buffoon can’t even get his pants right. I don’t know who he is but he’s not Tintin. What better way to celebrate this bizarre entry in the series with this bizarre panel. A South American carnival. Haddock, Tintin and Alcazar donning Gilles outfits coming from the inside of a giant king with machine guns, saving the Thompsons from certain death! Balloons and music everywhere. Total chaos. I guess you have to enjoy it for what it is.

24 - Tintin and Alph-Art
The book that never was. Not much to say for this one. It looks like it would be better than the last two. It’s a curious book because we get a lot of sketches, something you don’t get to see often. It’s fun to look at the skeleton and rough ideas behind the finished product. Here’s the very last page Herge ever did for Tintin. He never completed it, page 42. The last panel: Tintin is being taken away by the villain of the book. He’ll be encased in plaster and transformed into a statue, an art piece. In a way it’s a very fitting last page. There’s no danger for Tintin here, he is already an art piece. The villain doesn’t seem to understand his plan poses no threat.

Here's my list of books I enjoyed the most in order. 1 is the one I enjoyed the most, 23 the least. I consider Picaros and Flight 714 to be objectively the worst entries (that's not to say they're bad or not entertaining) but that doesn't mean I couldn't enjoy them for what they are. Tintin in America is my least favorite "proper" Tintin adventure. Tintin and Alpha-Art is in there for completion sake, being just a few sketches and half of a first draft for a plot, and I feel the same about Land of the Soviets, being more of a prototype than anything.

1 Tintin in Tibet
2 The Crab with the Golden Claws
3 The Black Island
4 Cigars of the Pharaoh
5 The Seven Crystal Balls
6 Prisoners of the Sun
7 Red Rackham's Treasure
8 The Secret of the Unicorn
9 The Castafiore Emerald
10 The Red Sea Sharks
11 Land of Black Gold
12 Explorers on the Moon
13 Destination Moon
14 The Blue Lotus
15 The Shooting Star
16 Tintin and the Broken Ear
17 King Ottokar's Sceptre
18 The Calculus Affair
19 Flight 714
20 Tintin and the Picaros
21 Tintin in America
22 Tintin in the Congo
23 Tintin in the Land of the Soviets
24 Tintin and Alph-Art

After Tintin I felt like trying something a little more recent. During a quick search I read a lot of good things about Donjon, so I decided to pick it up. Donjon, or Dungeon, is a parody of DnD tropes and it's a lot smarter than it sounds. Not the parody itself, though that is often good too, but the quiet, serious moments are very good and it gets you by surprise. If I'm being brutally honest, I didn't quite care for the two main characters though, Herbert and Marvin. I'm not sure why, they're OK characters, nothing obviously wrong with them. Maybe it's the artwork, they look pretty much like a sketch, though I find the artwork decent and serviceable for the most part. Perhaps is the fact the Herbert tries to be funny to much, it feels forced at times, I don't know.

I read the first two volumes, Duck heart and King of Fighting, in English they're bound in a single volume as Duck Heart. The first story introduces the premise. A huge dungeon in DnD style, and we focus on the guys running this deadly labyrinth, keeping the monsters fed, corridors clean and traps functioning. Also we're introduced to our hero, Herbert the duck. He's given the job to bring a barbarian to the upper management people but when he accidentally got the guy killed, hr decides to pretend to be a barbarian and go in his place. This turns out to be a big mistake and after he gets captured they send Marvin the Dragon to help him out.

Their friendship is central to the book but I couldn't quite see why Marvin would bother to befriend this guy. Anyway, it's not important. They fight some monsters, retrieve some treasure and save the dungeon from certain destruction. It's mostly comedy but like I said there are some heartfelt moments in there I was not expecting. I was not too impressed but interested enough to try the second book. This time Marvin has a more central role to the plot and it explores his past a little bit. This is a much better story, but again I didn't quite care for the main characters.

That said, I completely understand why this is such a beloved series. It's funny, has a lot of clever moments and it's visually appealing.. for the most part. Apparently the authors are planning a humongous series, sprawling dozens of books. I didn't loved it enough for that but it was certainly fun. Maybe I'll come back to it eventually but for now I'll be trying something else.

>>67361
Forgot to add the wiki to the series.
https://en.wikipedia.org/wiki/Dungeon_(comics)
And you can read the first volume for free in archive.org: https://archive.org/details/dungeonzenithvol0001sfar_f4r5/mode/2up
All you need is a free account.

>>67361
Never read Dungeon but something Trondheim related i read last year ( and when i say 'read' i mean that very loosely as this is a wordless comic) was la mouche, or 'the fly' (nothing to do with the Cronenburg movie). It was turned into a series of short 5 minute animated cartoons that used to play ad nauseam on television over here when i was a kid. Just looking at his work makes me a little nostalgic.

>>67174
>He shoots an entire herd of antelope.
Wasn't that an accident, in that he saw one antelope at a time over a small ridge and he thought he missed it every time he shot it?

>>67382
Give it a shot if you haven't already. I linked the first vol at >>67362, you can read it for free. It turned out not to be really my thing but it's quite popular and a lot of people rate it highly.
>>67408
It was but it's still a joke made about killing a huge amount of animals. Herge himself said he regretted the animal cruelty stuff shown in that book and tried to redeem Tintin by showing him helping animals in the subsequent books. I mean everything is a product of its time. It's a book from the 30s, sensibilities were different.

After reading the first two books of Donjon I decided to go back to classics I haven't read and went through Asterix The Gaul, the first Asterix book. It's interesting, with Tintin you might even forget you're reading a comic book. Herge and his collaborators were clearly more artists than they were writers. In fact there's only one truly solid as far as storytelling goes in the entire Tintin series and that is Tintin in Tibet, but the beautiful artwork make every book worth a look. However comics are not really about making beautiful pictures. It helps of course, but a comic book is about telling a story and that's why you might even forget Tintin is a comic, because the focus is clearly on the artwork's side.

Asterix on the other hand, is what I consider a creation fully devoted to the idea of what comic books are. For one, it's quite comical, if nothing else. Writing is excellent from the get go here and the jokes and pacing to me feel like the definition of what comic books should be. The artwork is not nearly as beautiful as in Tintin but it doesn't try to be. It's not trying to be beautiful, it's trying to tell you the story. The characters are incredibly expressive, both their faces and their body motion. Mr. Uderzo excelled in conveying movement in those clunky funny bodies his characters live in. The noses alone are amusing to look at and go through, making comparisons and how they enhance each character's personality. Even with the terrible coloring work his drawings shine through.

The plot is simple enough. You have Asterix, a Gaul, living during the Roman invasion of his homeland. All Gallic tribes are vanquished, except the tiny village Asterix lives in. Their local druid, Panoramix is able to brew a concoction that gives Asterix immense strength for a short period of time. On top of that Obelix, his buddy, fell in a pot filled with said potion, so he's also super strong forever. This premise is put to use to make several visual jokes and slapstick comedy to great effect. The centurion in charge sends a spy to try to retrieve Asterix's secret but he fails of course.

Goscinny's writing and Uderzo's artwork work incredibly well together and this first entry in the series is considered by Le Monde as one of the best books released in the last century, quite an honor for a comic book, but it is that charming and amusing and it probably deserves its place in that list.

Also if you're learning French and you're a beginner I highly recommend picking this series up for reading practice. I was able to breeze through this one in the original language despite having quite a subpar understanding of the language.

Asterix and the Golden Sickle feels more like an adventure than the first entry. This time Asterix and Obelix have to go to Lutetia (present-day Paris) in order to purchase a new golden sickle for Panoramix so he can attend a druid conference somewhere. Things don't go as planned when the sickle maker, who also happens to be Obelix cousin, is mysteriously gone. The heroes then decide to investigate, leading to a series of stints in prison, escapades and fists fights with law enforcement as well as barbarians, brigands and whatnot.

Obelix gets a lot more exposition in this one and becomes a full character. My favorite character still is Panoramix (Getafix) but I'm usually partial to sages/wizards type anyways. Obelix always seem to be in some sort of haze, like he's drugged or something. It's because of his eyes, they're never fully open. Anyway, this was a fun read so I'll continue with the next book, Asterix and the Goths.

While looking for more Asterix comics I came across this one, Le Génie des alpages (Genius of the Mountain Pastures) and it's pretty damn good. It has this surreal atmosphere and odd comedy to it. It also never been translated to English so I decided to make a fan translation of the first story. If anybody think this is interesting enough I might do some more. The publisher Dargaud released all the books in a 5 volumes collection. Now this is not professional work but I kept as close as I could to the original.

I always wanted to check Peyo's Johan and Peewit books. I quite enjoyed The Smurfs cartoons growing up and later on when I found out they debuted as side-characters in a Johan and Peewit story I became very curious about it. Yesterday I finally sat down to read the first Johan's adventure: Basenhau's Punishment. Peewit will only appear in the third entry of the series, so it's not Johan and Peewit yet. The plot is simple enough: In a medieval nondescript time and town, evil guy Basenhau tries to cheat in the jousting tournament by breaking Count Tremaine lance. Johan warns Tremaine of the plot, Basenhau gets punished and later tries to get his vengeance against the king, Johan and Tremaine. Thanks to Johan's courage Basenhau fails and end up being thrown in jail.

The more interesting aspect of this book for me is the artwork. It has such solidity, it's hard to describe. Everything feels heavy and strongly in place. There's very little tone variation for the colors, which I think helps giving that impression. I'm pleasantly surprised by it so I'll continue to read the other books as well. Apparently Johan and Peewit was Peyo's favorite creation and he even relegated the Smurfs books to his studio so he could continue with the series.

>>67409
I'll give it a look eventually, Reading other stuff at the moment.

I've read The Push Man and Other Stories by Yoshihiro Tatsumi. I was feeling like a change of pace and came across this title more or less by accident when looking for alternative, against the grain comics and manga. There's an oppressing atmosphere and pessimism in all the stories in this collections but somehow they manage to be poetic and charming in a way. Many stories have relationships between men and succubi as their core and how they bring misery and disappointment from both sides of the deal. But then again, it seems like engaging with society at any level, being entering a romantic relationship, employment or simply going out in the streets, invariably results in varying degrees of bitterness, confusion and anger. Despite this, most characters keep the stiff upper lip to the point of looking numb, apathetic or pathologically reticent. Society feels like something made to humiliate and grind the characters' souls to that point.

The artwork is simple but charming and effective. Text is sparse, which I think helps with the pacing and the atmosphere. Silence is a big part of how these stories play out and is an essential part of the characters. It somewhat elevates them beyond the terrible situations they take part in or are responsible for, almost like if these things happen in silence they're less horrifying and crushing. If nothing is said there's less to think about. Yet this book gave me a lot to think about. I definitely recommend it.

You can borrow it for free at archive.org:
https://archive.org/details/pushmanotherstor0000tats
1 hour is enough to read the whole thing but you can keep borrowing it if it takes you longer. All you need is a free account. There are tons of comics and books in there to borrow, so making an account is quite worth it.

>>67474
Yeah it was all right, though Abandon the old in Tokyo was slightly better (unless that's the one with the slightly evil facially deformed lady, as far as I can recall).

Lately I've been binge reading the legendary mechanic. The basic gimmick, being sucked into a VR video game, has been done a lot, but it's a decent base gimmick imo and they add additional stuff on top of it to make it interesting.

Just finished reading A Drifting Life after having a positive experience reading The Push Man and Other Stories by the same author, Tatsumi Yoshihiro. This is a very long book, at almost 900 pages long and it tells the story of the author from 15 to his mid 20s. It’s a quiet and introspective autobiography about the author’s obsession with manga. This is an interesting book on several levels, one of them being his drive and passion for the media. This is something that always feels amazing to me, being a person without a great passion for anything, reading about people that have one great love that serves as the foundation of their very existence in this world. It's so odd and comforting in a way. The author himself is impressed at times at how deep he is into his own manga world bubble and how the world is changing around here without him noticing it.

This is an autobiography and a historical document of the development of manga in Japan in the 50s and 60s. If you’re interested in that at all, you’ll have a great time with it. If you’re not interested in the subject matter, this can become a slog. Like I said, at almost 900 pages, most of it is dedicated to the conflicts between the magazines and the mangaka, trends in artwork and script, important publications, important authors at the time and so on. Fortunately for me I’m interested in the world of comics and manga, so I had a great time with it. It was very interesting to read about manga before the great magazines, how they came to be and what they destroyed to become the hegemonic method of manga publication. There’s a bittersweet tone to the whole thing, and the feeling of longing the author has for the past is very evident. It’s like he’s trying to capture as much as he can from his young years and the events that made those days so important to him. I was very moved in many places during my reading of it. I say longing but there isn’t a sentiment of nostalgia, or a combative stance of ‘the good old days’ vs now. The work has a quiet peace about the whole thing, even in the moments of struggle. Like the previous work I read from this guy, I have to recommend this one.

This is a little more demanding than most comics/manga just due the sheer amount of pages. It took me 3 days to finish it but I was going purposely slow with this one. You can read it for free at archive.org. https://archive.org/details/manga_A_Drifting_Life/mode/2up

>>67480
I might read that one at some point.

>>67485
Since you're posting itt I assume you're reading the manhua adaptation and not the web novel. I've tried to find some good manhua lately but all I could find were works painfully derivative of Japanese stuff. I don't know Mandarin so my search was probably superficial at best. There are amazing works of literature from China (The Scholars and Strange Tales from a Chinese Studio probably being two of my favorite books of all times) and I'm sure they can produce deeply personal and moving manhua but I just couldn't find it yet.

I picked up Monsters Are My Business while perusing new stuff coming out. The cover struck me as the writers and artists have a fondness for the good old schlocky comic booky fun and I was right. It’s a comic that doesn’t take itself seriously, mixing some fun modern fantasy tropes and artwork that is giving me a sense of nostalgia for something I can’t quite pin it down. Perhaps the Comix Zone game for the Genesis, and also a smidgen of Metal Slug, I’m not sure.

This is a fast food type of comic, fast pacing, lots of action and likable characters. Not much to think about but super fun to go through. It does a very good job at establishing its characters right off the bat with minimal text, which I love. It’s the sign of a good comic book writer right there. The plot is simple and it’s piece together from well known tropes. Basically an evil cult in the best Lovecraftian tradition brings about some demonic rain that wrecks the planet and now you have all sorts of abominations walking around. The rich are all walled up somewhere but our hero, Tanner "Griz", his mute koala companion Cuddles and a necromancer named Hillary live in the Flooded Zone, helping people in need. If you ever watched the movie Cemetery Man and you like that sort of thing, this book will be a treat for you. It’s like that movie but without the eroticism and a lot more humor to it. I’m very happy to have picked this one up. It’s very refreshing in a way, which is weird because there’s nothing particularly new in this book. The art and the writing have this enthusiasm for the medium that is contagious in a way and I had more fun than I expected. Looking forward to the second issue.

corto maltese. read it. it's like a daydream

>>54456
>to a lesser extent Moebius
Kill yourself

Jeff Smith's RASL

Quotes like these are more than enough for me to make the whole comic worthwhile.

From Hell (1989)

Ah, the things that have made wizchan my go-to chan since 2019..

I Hate Fairyland (2018)

Yup…

>>68149
You reminded me I really should get around to ordering the other volumes. I have one and read the rest online but I kinda want a full physical set.

>>68151
Is the new one with her as an adult any good? Not sure what to think of it.

>>68152
Not as good imo but still worth reading.

>>68156
Ah ok

Anya's Ghost (2011)
Oh, Miss Brosgol ;_;..

Great Expectations (2010/1861) Charles Dickens and Brigit Viney

…

What is the difference betwen the way DC and Marvel do their comics. Is one better than the other.

>>68408
I found a yt Channel full of argentinian and mexican comics. I higly recommend this one. Is like excalibur but, with merlin as the protagonist

>>68446
Looks amazing. Any English translation available? I couldn't find any.

>>68446
>>68448

I really doubt it. Its really hard than a non mexican artist gain recognition around the world. A really sad thing, because i believe Enrique Alcatena could easily be one of the best living artist in the world. Sadly again, no one outside of argentina seem to know him, i dont know why, because he worked for DC and Marvel sometimes. His most know work in other parts of the world is batman of arkham, with Alan grant doing the script, but, is in the argentinian comics, the guy really shine. He do the art of one comic called el laberinto, a love letter to western literature, with the most beautiful homage to Don Quixote, althoug most of the comic is a love letter to shakespeare. And a comic based in Marco Polo, even has Samuel Taylor Coleridge in it.

>>68446
>>68448
>>68450

>This story is a compilation of the series published in the old Skorpio magazine. Here the duo tells the adventures of the poet Percival, Oberon -king of the fairies- and a so-called king of the foxes, lost in a labyrinth that unites all possible universes, real and fictitious. The structure of an infinite labyrinth is used by the duo to take their characters from one tribute to another to the artists who formed the authors. There are allusions to Cervantes, Shakespeare, Fellini, Pink Floyd, Spinetta, Jethro Tull and Rimbaud, among many others. Despite the constant homage, the series stands out for its finely tuned sense of comic storytelling. The image is exceptional in its quality, but also in its sequential editing.

Thread is gonna hit the limit. Im going to post more alcatena and argentinian comics in the next one

>>68448
Sorry, i could only find some of his works in italian. I hope some italian wiz enjoy this

>https://archive.org/details/il-mago-vol.-1-e-2-barreiro-alcatena-eura-skorpio-1989-91-b-n-e-colore-by-lux-73/page/n101/mode/2up

There is some hidden reason why Joker 2 exists other than to screw the audience of the first movie. Why did the director have to fuck up what he had done with joker 1. How could this guy be such an asshole to say he was forced to accept 20 million to direct it. He could have said no and left it to a better director. Maybe it's true that this movie is just a ritual of humiliation towards the audience.

>>67487
Thank you for posting this. This one looks so sad it can be like one of those eisner comics, like contract with god.

Is it bumping?