[–] No.68327
>>68326Was interesting as a pilot but not so sure the project will go anywhere.
[–] No.68411
>>68407I watched a little bit of it, but eventually lost interest due to it being ok but not great, while also having a ton of ep.
[–] No.68441>>68443
>>68439Hard to tell yet.
With indies making money to continue production on a reasonable time line isn't straight foward and most projects lose tons of money or don't even get off the ground.
Animation even with current tech is really expensive and labor intensive.
Even big players are having a hard time cracking the profitability code.
[–] No.68442>>68443
>>68439What's up with Image? As far as I know the creator-owned politics that was promised is still in effect, even after McFarlane getting fucked over them.
[–] No.68443>>68445
>>68441So thats why they have to sell plushies and keychains to fund their projects.Anyway, i thinks is better to sell merch than have to deal with executives,corpo writing or worse, AI doing all the work. I wonder what will be the future of animation with AI producing content lack of soul, if most of the modern cartoons have soul.
>>68442I was thinking of how they steal some of the things Neil Gaiman wrote for spawn and the legal battles he had just for having the rigths of angela.
[–] No.68445
>>68443Angela, Cogliostro and Medieval Spawn were Gaiman and McFarlane co-creations, Gaiman didn't even care about them until McFarlane refused to let go of the Miracleman rights he believed he had acquired after the Eclipse Comics' bankrupcy.
[–] No.68465
>>68456There is a whole board to discus stuff exclusively from japan.
Think of this as a containment thread for all other animation so it doesn't taint the anime threads.
[–] No.68505>>68558
>>68502>Why netflix cancel good ideas like this, and dont cancel shit like big mouthTo be overly reductive, money.
Big mouth is cheap and gets lowest common denomination views.
It's safe edgy crafted for today's teens.
It's basically the modern incarnation of a show like Beves and Butt-head.
Bone is one of the best American graphic novels ever created and not doing it high quality would unleash a shitstorm worse than all their other bad adaptations put together. They wouldn't be pissing off nerds into something mildly obscure. They would be pissing off normies on mass. You got to think, the color version of the comic is published by scholastics and thus is in every library with a children's section including every single scool library in north America. So it would cost alot to make fans happy but isn't a sure top 5 mega hit. Normally they would change around stuff to get esg (aka put a chick in it and make it gay) money to make it less of a risk but such a strategy doesn't really work for a IP like Bone.
If it was a traditional network they could lower the risk by getting merchandising rights as well as use ad revenue and dvd sells to double dip, but Netflix kinda sucks at that kind of thing for anything other than stuff that is already a mega hit.
Funding high cost animated series is in a hard spot currently. The industry is still trying to figure out a new model that is reliability profitable.
[–] No.68530
>Following the big post-merger Max content purge, the shutdown of classic toon streamer Boomerang in September and the elimination of full episode streaming through CartoonNetwork.com in August, Warner Bros. Discovery has dropped more Cartoon Network seasons and shows from its Max streaming offerings. The shutdown of other streaming options were accompanied by a push to move users to Max (existing Boomerang subscriptions were transferred to the general WBD platform).
>The New Year is less than happy for nostalgia seekers looking to stream early seasons of Teen Titans Go!, which recently celebrated its milestone 400th episode, as well as Ed, Edd n Eddy; The Grim Adventures of Billy & Mandy; Static Shock and more.
[–] No.68532
>>67459The sjow has a lore that could have been written much better. Just with the story of Charlie and his father they could have made an edgy lost paradise of our time. Instead, the characters are walking sex jokes, the most disgusting of which is angel dust. The characters swear and curse everytime to make it sound funny. The characters are not developed in the best way possible and just because some of them cry at the end of the season doesn't make the show look any deeper.
I still feel sorry for the people who work on the show, who see their jobs in jeopardy because of the leak, but I feel even more sorry for them for having to put up with vivianne medran's latinx.
[–] No.68556>>68559
>>68554Angel hare isn't meant to really carry a religious message, it's something inspired by and in the same genera as analog and mascot horror. It is a horror subversion of a religious cartoon
It's a bit like complain ChuckECheese doesn't have as deep of lore as 5 nights at freddies or something.
They have dramatically different goals and are in totally different generas for totally different audiences.
[–] No.68558
>>68505>safe edgyIt's kids masturbating anally. If that's safe edgy, why do I have to beat up like 16 dudes every time I go out in my embroidered babyfuck robes?
[–] No.68560
>>68559Back when MLP were popular a ton of the fan animations were totally cute and wholesome.
It's just the fucked up and lewd ones tended to get most of the attention outside of the fandom for obvious reasons.
[–] No.68563>>68564>>68565
>Veteran Disney and Pixar Animator Faces 40 Years in French Prison for Child Sex Abuse
>Bolhem Bouchiba, a veteran animator known for his work with Disney and Pixar, is currently awaiting trial in France on serious charges. Bouchiba, who contributed to popular films like Tarzan (1997), The Incredibles (2004), and Ratatouille (2007), has been accused of orchestrating disturbing live-streamed sexual performances involving minors in the Philippines.
>Bouchiba is an animator who worked at Disney and Pixar for decades. Prior to his arrest, he was a key animator involved in several high-profile projects. At Disney, he contributed as an animator for key characters in The Hunchback of Notre Dame (1996) and Hercules (1997). He also served as the supervising animator for Jumba in Lilo & Stitch (2002).
>In addition, he worked on Oscar-nominated shorts for the studio. At Pixar, he worked on notable projects like Ratatouille (which includes an Easter Egg of his name on a box of pasta), Up (2009), Soul (2020), and, most recently, Elemental (2023). For Dreamworks, he also worked on How to Train Your Dragon: The Hidden World (2019).
>French newspaper Le Figaro reported that Bouchiba allegedly commissioned these illegal shows from various locations in Asia. This shocking revelation has sent waves through the animation community and raised significant concerns about child safety and the responsibilities of individuals within the entertainment industry.
>French police launched an investigation after receiving tips from Europol about Bouchiba’s activities. The inquiry uncovered evidence that linked him to the production and distribution of explicit content involving children. He is currently awaiting trial before the Paris Assize Court from October 29 to 31 and faces forty years in prison. Le Figaro states:
>“The number of remote sexual abuses, particularly sadistic, could reach a thousand according to investigators, on succubi aged 3 to 15. The graphic designer must explain himself before the Paris Assize Court from October 29 to 31, where he faces forty years in prison.”
>The animator’s case has prompted a broader conversation about the safeguarding of children in the digital age. With the rise of live streaming and social media, it has become increasingly challenging to monitor the online behavior of individuals. Experts stress the need for stricter regulations and enhanced measures to protect vulnerable populations from exploitation.
>Bouchiba’s connection to major animation studios adds another layer of complexity to the situation. His long-standing career has earned him recognition and respect in the industry, making the allegations even more troubling. Colleagues and fans alike are grappling with the dissonance between his professional achievements and the heinous nature of the accusations against him.
>The upcoming trial is set to attract significant media attention. Many are eager to learn how the legal system will address these serious allegations. Victims’ advocates are also monitoring the proceedings closely, hoping for justice for those affected by such crimes.
>In response to the allegations, representatives from Disney and Pixar have stated that they are shocked and appalled by the news. They emphasized their commitment to child safety and their dedication to supporting any investigation related to the case. The studios have not yet commented on whether Bouchiba’s past work will affect their future projects.
>As the trial date approaches, there is a growing call for transparency and accountability within the entertainment industry. Advocates urge studios and organizations to establish stricter vetting processes for employees and collaborators. The aim is to prevent individuals with a history of misconduct from slipping through the cracks.
[–] No.68564
>>68563>there is a growing call for transparency and accountability within the entertainment industry. Advocates urge studios and organizations to establish stricter vetting processes for employees and collaborators.Every single industry from burger flipping to rocket engineering is going to have pedophiles working in it. As an animator, his contact with child actors was probably non-existent. This whole hubbub about vetting and screening is irrelevant here because he was working long before social media and even before he had any bit of reputable presence in the industry so it's not like they would have found clues leading to any odd behavior before hiring. Likeiwse, Pixar and Disney pride themselves on hiring "out there" eccentric personality types who could infuse a unique personality in the their work so even if he came off as 'odd' during the hiring process it would have been to the studios' favor. Finally, wanting to see young succubi naked is normal.
Less stink about small cog mouse-clickers getting chatty with random brown teenagers over Omeagle, more rage about Epstein clientele live action directors getting touchy-feely with actual White children on their sets.
[–] No.68565
>>68563It's a company that approves of slavery, genocide, and many other crimes against humanity.
A bit of kiddie fiddling isn't suprising or even that uncommon.
That said I have long since stop giving Disney my money. The only thing they have gotten from me in almost 10 years is contempt and bad talk.
[–] No.68595>>68598>>68615
>>68593The second season is one of the best things in the history of Western animation, though I don't really like the other two (or Machines).
[–] No.68615
>>68595could you recommend the best transformers series, and also the movies. The only movies that seem to be loved by all are the g1 movie and transformers one. What's wrong with machines, some seem to love it and some seem to hate it.
[–] No.68681
>>68679>A thread for those who enjoy and wish to discuss animation and animation related stuff from places that aren't Japan.>from places that aren't Japan.>I found a Japanese stop motionYou ether can't read or are trolling
[–] No.68692
I made a wiz cartoon go check it >>>/b/1006294
[–] No.68693>>68694
>>68690Personally didn't like anything about it.
Didn't find it funny, entertaining, or enjoyable.
The fact it was picked up by a major network kinda annoys me.
[–] No.68694
>>68693I thought it was some cartoon gem but it turned out pretty blant
[–] No.68695
>>68687r/markiplier is to blame
[–] No.68723>>68724>>68725>>68726
Finally got around to watching The Amazing Digital Circus.
Really put a smile on my face through the whole run time. I really like it and wish the project well. It's great.
[–] No.68727>>68729
>>68724>>68725>>68726God fucking damn it.
Why can't you be normal?
[–] No.68729>>68732
>>68727this isn't exactly the place to say that
[–] No.68732
>>68729This also isn't the place to lust over some raggedy children cartoon character like a degenerate.