No.68125
>>68121Can you maybe rephrase?
I can't figure out what that sentence is supposed to mean.
No.68129
>>68128Hey wiz do you have a bluray rip of Where the Dead Go to Die? Looks really cool. Can only find dvdquality. thx.
No.68131
>>68129I free stream videos, I don't direct download or torrent videos since I only watch things once or twice in a decade.
Or in otherwords, no I don't have the Blu-ray rip, sorry.
No.68150
I find it funny that the first thing people think when they hear someone's last name like "Fox" is the animal.
With that logic I guess Muriel from Courage the Cowardly dog is a Vi-racist and a Vi-white Vi-Supremacist, given the secret ingredient she puts on things, kek..
No.68177
The only people I know who are active watchers of cartoons and don't just watch anime are either:
- adult furry artists
- adult leftists
- diagnosed adult autists
only weird af adults
do kids even watch this shit?
No.68180
>>68177> people I knowWow, you know people, like in real life? Amazing!
>diagnosed adult autistsYou got me there.
I ain't a furry or leftest though.
>only weird af adultsThis whole site is arguably for " weird af adults" so…
>do kids even watch this shit?Yes.
No.68286
>Hazbin Hotel Season 2 has been the subject of widespread leaks several months before its supposed release.
>Assets related to Hazbin Hotel Season 2 leaked long before its (yet to be specified) release date.
>Various images, animatics, and storyboards from the upcoming animated season have all made their way online, quickly taking hold of the series' rabid fanbase.
>The leaks seem fairly widespread, appearing on places like Reddit, TikTok, and various social media platforms. They all seem to depict unfinished work from the series' hotly anticipated upcoming seasons.
>One of the most head-turning of these unfinished assets includes early animatics of a new song set to debut in Season 2.
>The source of these leaks has yet to be confirmed, and with a release date for Hazbin Hotel Season 2 still not being announced (despite word that it is "pretty far" into production), it could be some time before audiences find out where these leaked assets fit in the series.
Fuck this show and fuck Vivziepop. But i feel sorry for the people working there.
No.68287
>>68286I thought it was ok and I don't have strong opinions on Vivzie.
Both are 3 out of 5 if I was to put a number on it.
Not as bad or as great as some people make them out to be.
No.68306
>Kyle Carrozza, the creative mind behind Cartoon Network’s “Mighty Magiswords,” has been arrested on two counts of child pornography possession. The arrest took place on the morning of Thursday, June 20th, in Burbank, California, by the Burbank Police Department. This followed an investigation conducted by the Internet Crimes Against Children (ICAC) Task Force.
>Carrozza faces charges under California penal code 311.11(a) for possession of child pornography. Additionally, he has been charged with an enhanced 311.11(c) charge, which applies to individuals found knowingly in possession of at least 12 videos or 600 images of child pornography. If convicted, Carrozza could be required to register as a sex offender. The severity of the charges could result in either a misdemeanor, carrying a penalty of one year in county jail, or a felony, which could lead to up to five years in state prison.
>Carrozza is best known for his work on “Mighty Magiswords,” an innovative animated series initially released through the Cartoon Network app. The series featured Prohyas and Vambre, sibling warriors who embarked on various quests armed with unique, whimsical swords. “Mighty Magiswords” gained popularity as a digital hit before being greenlit for a full series, running for two seasons and totaling 92 episodes. Although removed from Max, the series remains available for purchase on digital platforms like Prime Video.
>Beyond “Mighty Magiswords,” Carrozza has worked on various other projects, including contributing to “The Fairly OddParents: A New Wish.” His creative contributions to the animation industry have been well-regarded, with many fans appreciating his unique style and storytelling approach. Carrozza’s arrest casts a shadow over his career, leaving fans and colleagues grappling with the stark contrast between his professional achievements and the nature of the charges against him.
>The animation and entertainment community have been shaken by Carrozza’s arrest. Many fans and colleagues are struggling to reconcile the beloved creator’s professional accomplishments with the serious charges against him. Social media has been abuzz with reactions, ranging from shock and disbelief to disappointment and anger. Some fans have expressed their dismay on platforms like Twitter and Reddit, questioning how someone with such a public and celebrated career could be involved in such a crime.
>Industry professionals have also weighed in, emphasizing the importance of separating the art from the artist. However, the severity of the charges has prompted some organizations to distance themselves from Carrozza. Networks and streaming platforms may reevaluate the availability of his past works, and future projects involving Carrozza are likely to face significant scrutiny.
This guy has a blacklist of people who drawn R34, even in their on twitter accounts. But his same moral standarddont apply for real kids. The fist person who spoke againts him was ang vondra, who was working in magiswords as a storyboarder
No.68307
>>68306I remember watching a saberspark video about that guy.
Dude actually looked like a creep so it didn't surprise me, not that I even care about CP, but hypocrites getting their comeuppance is a bit satisfying.
No.68310
>>68307
>Youmacon guest, Kyle Carrozza, is accused on X/ Twitter of egregious acts of harassment, stalking, and defamation against a fellow colleague leading to dire consequence. The victim, Ang, is reportedly in a life-threatening condition due to the relentless actions of this alleged abuser. Yet, Youmacon censors and silence hundreds of warnings.
>Kyle Carrozza maliciously accessed private and sensitive NSFW vent artwork created by Ang, a disabled animator, featuring the cartoon character Invader Zim. Using his influence, Carrozza purportedly orchestrated Ang's termination from employment and subsequently blacklisted them within the industry through a deliberate campaign of slander. Furthermore, he reportedly subjected Ang to public humiliationby disseminating this private artwork among their coworkers and acquaintances, all while fabricating damaging falsehoods about Ang's character.
>The consequences of these actions have been devastating. Ang has lost vital health insurance coverage, critically necessary for their health. The medical treatment required is not only exorbitantly expensive but also demands specialized care, making it tragically inaccessible. Ang's life hangs in the balance due to these circumstances, while Kyle Carrozza's alleged actions continue to shield him from the accountability that such severe offenses demand.
>What adds to the gravity of this situation is the concerning silence from Youmacon. Despite the community's outcry and warnings, Youmacon has reportedly ignored and censored hundreds of comments alerting them to this issue. Furthermore, attempts to directly contact Youmacon seem to have been met with futility, as they can no longer be reached, leaving concerned individuals without a means to address this serious matter.This guy fucked up a terminally ill person life. Just for some r34 pics of invader zim
No.68327
>>68326Was interesting as a pilot but not so sure the project will go anywhere.
No.68411
>>68407I watched a little bit of it, but eventually lost interest due to it being ok but not great, while also having a ton of ep.
No.68441
>>68439Hard to tell yet.
With indies making money to continue production on a reasonable time line isn't straight foward and most projects lose tons of money or don't even get off the ground.
Animation even with current tech is really expensive and labor intensive.
Even big players are having a hard time cracking the profitability code.
No.68442
>>68439What's up with Image? As far as I know the creator-owned politics that was promised is still in effect, even after McFarlane getting fucked over them.
No.68443
>>68441So thats why they have to sell plushies and keychains to fund their projects.Anyway, i thinks is better to sell merch than have to deal with executives,corpo writing or worse, AI doing all the work. I wonder what will be the future of animation with AI producing content lack of soul, if most of the modern cartoons have soul.
>>68442I was thinking of how they steal some of the things Neil Gaiman wrote for spawn and the legal battles he had just for having the rigths of angela.
No.68445
>>68443Angela, Cogliostro and Medieval Spawn were Gaiman and McFarlane co-creations, Gaiman didn't even care about them until McFarlane refused to let go of the Miracleman rights he believed he had acquired after the Eclipse Comics' bankrupcy.
No.68465
>>68456There is a whole board to discus stuff exclusively from japan.
Think of this as a containment thread for all other animation so it doesn't taint the anime threads.
No.68505
>>68502>Why netflix cancel good ideas like this, and dont cancel shit like big mouthTo be overly reductive, money.
Big mouth is cheap and gets lowest common denomination views.
It's safe edgy crafted for today's teens.
It's basically the modern incarnation of a show like Beves and Butt-head.
Bone is one of the best American graphic novels ever created and not doing it high quality would unleash a shitstorm worse than all their other bad adaptations put together. They wouldn't be pissing off nerds into something mildly obscure. They would be pissing off normies on mass. You got to think, the color version of the comic is published by scholastics and thus is in every library with a children's section including every single scool library in north America. So it would cost alot to make fans happy but isn't a sure top 5 mega hit. Normally they would change around stuff to get esg (aka put a chick in it and make it gay) money to make it less of a risk but such a strategy doesn't really work for a IP like Bone.
If it was a traditional network they could lower the risk by getting merchandising rights as well as use ad revenue and dvd sells to double dip, but Netflix kinda sucks at that kind of thing for anything other than stuff that is already a mega hit.
Funding high cost animated series is in a hard spot currently. The industry is still trying to figure out a new model that is reliability profitable.
No.68530
>Following the big post-merger Max content purge, the shutdown of classic toon streamer Boomerang in September and the elimination of full episode streaming through CartoonNetwork.com in August, Warner Bros. Discovery has dropped more Cartoon Network seasons and shows from its Max streaming offerings. The shutdown of other streaming options were accompanied by a push to move users to Max (existing Boomerang subscriptions were transferred to the general WBD platform).
>The New Year is less than happy for nostalgia seekers looking to stream early seasons of Teen Titans Go!, which recently celebrated its milestone 400th episode, as well as Ed, Edd n Eddy; The Grim Adventures of Billy & Mandy; Static Shock and more.
No.68532
>>67459The sjow has a lore that could have been written much better. Just with the story of Charlie and his father they could have made an edgy lost paradise of our time. Instead, the characters are walking sex jokes, the most disgusting of which is angel dust. The characters swear and curse everytime to make it sound funny. The characters are not developed in the best way possible and just because some of them cry at the end of the season doesn't make the show look any deeper.
I still feel sorry for the people who work on the show, who see their jobs in jeopardy because of the leak, but I feel even more sorry for them for having to put up with vivianne medran's latinx.
No.68556
>>68554Angel hare isn't meant to really carry a religious message, it's something inspired by and in the same genera as analog and mascot horror. It is a horror subversion of a religious cartoon
It's a bit like complain ChuckECheese doesn't have as deep of lore as 5 nights at freddies or something.
They have dramatically different goals and are in totally different generas for totally different audiences.
No.68558
>>68505>safe edgyIt's kids masturbating anally. If that's safe edgy, why do I have to beat up like 16 dudes every time I go out in my embroidered babyfuck robes?
No.68560
>>68559Back when MLP were popular a ton of the fan animations were totally cute and wholesome.
It's just the fucked up and lewd ones tended to get most of the attention outside of the fandom for obvious reasons.
No.68563
>Veteran Disney and Pixar Animator Faces 40 Years in French Prison for Child Sex Abuse
>Bolhem Bouchiba, a veteran animator known for his work with Disney and Pixar, is currently awaiting trial in France on serious charges. Bouchiba, who contributed to popular films like Tarzan (1997), The Incredibles (2004), and Ratatouille (2007), has been accused of orchestrating disturbing live-streamed sexual performances involving minors in the Philippines.
>Bouchiba is an animator who worked at Disney and Pixar for decades. Prior to his arrest, he was a key animator involved in several high-profile projects. At Disney, he contributed as an animator for key characters in The Hunchback of Notre Dame (1996) and Hercules (1997). He also served as the supervising animator for Jumba in Lilo & Stitch (2002).
>In addition, he worked on Oscar-nominated shorts for the studio. At Pixar, he worked on notable projects like Ratatouille (which includes an Easter Egg of his name on a box of pasta), Up (2009), Soul (2020), and, most recently, Elemental (2023). For Dreamworks, he also worked on How to Train Your Dragon: The Hidden World (2019).
>French newspaper Le Figaro reported that Bouchiba allegedly commissioned these illegal shows from various locations in Asia. This shocking revelation has sent waves through the animation community and raised significant concerns about child safety and the responsibilities of individuals within the entertainment industry.
>French police launched an investigation after receiving tips from Europol about Bouchiba’s activities. The inquiry uncovered evidence that linked him to the production and distribution of explicit content involving children. He is currently awaiting trial before the Paris Assize Court from October 29 to 31 and faces forty years in prison. Le Figaro states:
>“The number of remote sexual abuses, particularly sadistic, could reach a thousand according to investigators, on succubi aged 3 to 15. The graphic designer must explain himself before the Paris Assize Court from October 29 to 31, where he faces forty years in prison.”
>The animator’s case has prompted a broader conversation about the safeguarding of children in the digital age. With the rise of live streaming and social media, it has become increasingly challenging to monitor the online behavior of individuals. Experts stress the need for stricter regulations and enhanced measures to protect vulnerable populations from exploitation.
>Bouchiba’s connection to major animation studios adds another layer of complexity to the situation. His long-standing career has earned him recognition and respect in the industry, making the allegations even more troubling. Colleagues and fans alike are grappling with the dissonance between his professional achievements and the heinous nature of the accusations against him.
>The upcoming trial is set to attract significant media attention. Many are eager to learn how the legal system will address these serious allegations. Victims’ advocates are also monitoring the proceedings closely, hoping for justice for those affected by such crimes.
>In response to the allegations, representatives from Disney and Pixar have stated that they are shocked and appalled by the news. They emphasized their commitment to child safety and their dedication to supporting any investigation related to the case. The studios have not yet commented on whether Bouchiba’s past work will affect their future projects.
>As the trial date approaches, there is a growing call for transparency and accountability within the entertainment industry. Advocates urge studios and organizations to establish stricter vetting processes for employees and collaborators. The aim is to prevent individuals with a history of misconduct from slipping through the cracks.
No.68564
>>68563>there is a growing call for transparency and accountability within the entertainment industry. Advocates urge studios and organizations to establish stricter vetting processes for employees and collaborators.Every single industry from burger flipping to rocket engineering is going to have pedophiles working in it. As an animator, his contact with child actors was probably non-existent. This whole hubbub about vetting and screening is irrelevant here because he was working long before social media and even before he had any bit of reputable presence in the industry so it's not like they would have found clues leading to any odd behavior before hiring. Likeiwse, Pixar and Disney pride themselves on hiring "out there" eccentric personality types who could infuse a unique personality in the their work so even if he came off as 'odd' during the hiring process it would have been to the studios' favor. Finally, wanting to see young succubi naked is normal.
Less stink about small cog mouse-clickers getting chatty with random brown teenagers over Omeagle, more rage about Epstein clientele live action directors getting touchy-feely with actual White children on their sets.
No.68565
>>68563It's a company that approves of slavery, genocide, and many other crimes against humanity.
A bit of kiddie fiddling isn't suprising or even that uncommon.
That said I have long since stop giving Disney my money. The only thing they have gotten from me in almost 10 years is contempt and bad talk.